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They help you place things in the scene where you want them.

@@MaxonRedgiant you mean just in case you want to add more stuff in addition to what you're placing on the table?

You could use Supercomp's color match button to get the values you like the look of, then copy those values into a color correction window in Unreal. You can set a color correction window to work per actor, so just set it to be your subject.

It's not possible at the moment - Supercomp was built with the intention that it's the final step in compositing. That doesn't mean we can't add that sort of functionality in the future though. We'll pass your request on to the team.

You're in luck- New link in the description minutes ago!

@@MaxonRedgiant >years old video >replies within half an hour I want you to meet my parents 🫶

We've fixed the download link in the description! It'll take you to Cineversity and you can just click on the Project Files tab below the video.

We've fixed the download link in the description! It'll take you to Cineversity and you can just click on the Project Files tab below the video.

@@MaxonRedgiant THANK YOU 🙏 , your awesome man keep creating amazing content!

Here you go! ruclips.net/video/d1nUfkmLGaY/видео.html

@@MaxonRedgiant yes i try the link but when i click dowload project file,the page reloads.

Nothing has changed that should affect this tutorial. The position of the emitter isn't changed by using motion paths - just the movement of the particles. For more predictable results, we like to start with the emitter's position at the motion path light's first position keyframe.

I believe I just responded to your support request, but just for everyone's benefit, here's what I found with your project. As you reported, the responsiveness of playback is much faster until you start selecting texture maps. Each map selected increases the frame render time. This is definitely expected since Geo is having to request that image data from After Effects and the exchange takes a measure of time. Also, the size of the texture being used will impact speed. The larger the texture map, the more time it takes to process. The texture maps in your project are all 4096x4096, which is on the larger side. As an experiment, I precomposed each map and scaled them down to 2048x2048, a reduction factor of 4. This resulted in a dramatic improvement to speed. There is a little sacrifice to detail fidelity, but if you're not needing to show the model close-up, this may be acceptable. It depends on your needs. Additionally, I found two maps that weren't necessary. In Material 2 (outer), the color map is a solid blue, so I sampled the color from the layer and entered that into Geo's Base Color picker. Likewise, the outer metallic map is a solid 48% gray. So, I just set the Metalness value to 48%. This eliminated the need to reference either of those layers, which further preserved performance. Any additional effects applied over the top of Geo will have an impact on speed. Motion blur is especially expensive to process.

Nate is on our team here. We hope his response is helpful to everyone!

We've fixed the download link in the description! It'll take you to Cineversity and you can just click on the Project Files tab below the video.

@@MaxonRedgiant Thanks for the response!

Thank you for letting us know! The link is here: cineversity.maxon.net/tutorials/cheap-tricks-7-captain-marvel-energy-effects-tutorial We've updated the link in the description as well.

Glad you liked the tutorial! GPU Render can be slower in many cases - that's why it's not defaulted to be on. It's mostly helpful with many sprites.

@@MaxonRedgiant Sure, more tutorials on GEO. I use FX Console to set default settings.

We've fixed the download link in the description! It'll take you to Cineversity and you can just click on the Project Files tab below the video.

ruclips.net/video/p9GNdK9p3mQ/видео.html

I'm trying to create this effect with the new version

@@user-tx3nd3fe3j sure thing! There is no longer an aux system at all, as we're sure you've noticed. When you create a new system that is spawning from another system, you can have entirely different environment settings (and all other settings, for that matter) for the new system! To make it happen, in the Trapcode Designer, select the environment block and there's a "gravity down" block preset you can use or just start adjusting things yourself in the designer.

@@MaxonRedgiant Thank you so much for your help

Hello! Sorry for the trouble. Could you please check to see if there are any non-English characters in the file name?

@@MaxonRedgiant Hey! Here's the filename for the first frame in the sequence: black_hawk_rotor0001 Not sure if the underscores are an issue but to my mind they should be fine no?

@@AndrewMinett Underscores are perfectly fine. Perhaps try putting one before the number in your file name? If that doesn't help, please create a support ticket so our team can look into this at support.maxon.net

I actually figured out the problem. It had to do with After Effects and the import window default file type selection. If you changed to show all files it would allow you to ise the button to change the import to a '3D object for use with Trapcode'. This pitfall should be addressed somehow in the manual as it wasn't explained anywhere as a possible hangup. Cheers!

Hello! Glad you liked the video and the tool. Yes, every layer in Supercomp is aware of all the other layers below it which makes a huge differenc in compositing. As to the laggy speed, Supercomp renders with the GPU, so a stronger graphics card might make things less sluggish for you.

@@MaxonRedgiant but 8 guess due to screen capture it was also lagging. Preview was probably also at full res

It's not just Primatte Keyer you get though. Keep in mind that you get the entire collection of our tools. This includes Magic Bullet which is an extremely valuable tool for quickly getting stunning color grades or film emulation and Universe which adds nearly 100 effects and transitions to your NLE. Even if you don't pull keys in After Effects frequently, we think there are tools in our toolbox that can be vital to your everyday work.

@@MaxonRedgiant I have a few of your products that I bought before you went subscription. Looks, etc. And I have a subscription to Universe. Are you saying VFX comes with Universe? Because I'm already spending $200 a year on just that.

@@JakeHellbach A Red Giant subscription includes Universe, VFX Suite, Magic Bullet and Trapcode!

Thanks so much for the suggestion! We'll pass it on to the Universe team.

Ohmygosh! what the hell are shy layers. took me 3 days straight to figure out why I couldn't extend everything beyond 15 seconds. Finally, that was a hard lesson. In case anyone has any other issues. Inside 04_sketch if you unhide shy layers (an icon with weird little guy with his nose sticking out) you'll have better luck figuring it out. Still have to go into all the scribbles and loop them as long as you need.

@@VeneDrummer We're glad you found the solution!

@@MaxonRedgiant I love you too

If you have questions about the personal lives of members of our team, the comments section on a quick tip tutorial video is not the place for it. You can DM us on Twitter/X or Instagram and we can ask Michael your questions and relay his answers to you.

The Creature Feature text is a font called Orbitron.

The Orient to Spline control allows you to adjust how much particles orient their direction along the path of a text or mask emitter. If you're not using a text or mask emitter, it won't be available because there's no spline for it to follow. It looks like orient to motion is only working on the particles' actual movement. Motion Paths are a displacement and not "real" movement of the particle. We'll mention the issue to our team to see if there is a workaround or if they can make this work as you would expect.

Note: If you have 0 velocity on your particles, Orient to Motion Face in at 0, and no air turbulence, you should notice the Orient to Motion does work with Motion Paths the way you expect.

@@MaxonRedgiant Thank you so much for your help, I truly appreciate it. Wishing continued success and growth. 😊 😊

I don't see pop, or the other tool to make more of a color and change it's hue and saturation and lightness???

HSL Colors is literally gone???

@@prodvytorla Sorry for the confusion! If you've created preset Looks with any of those tools, they'll still be there. However, when you're creating a new Look, most of the "missing" tools have been replaced with the (more powerful) functionality of the Colorista tool in Magic Bullet Looks. Pop is an exception; its basic functionality has been replaced with the Clarity tool.